A | Filmmaker Anil Sharma's association with Dharmendra and the Deol family goes back a long way. He had directed the late actor in Hukumat (1987), which went on to be one of the biggest blockbusters of the filmmaker's career. Together, they delivered more hits such as Elaan-E-Jung (1989), Farishtay (1991) and Apne (2007). Filmfare caught up with Sharma, who opened his heart about this bond with Dharmendra.Excerpts: What kind of an impact did Dharamji have on your life and career? My entire career exists because of him. The first star I ever saw on the big screen was Dharmendra. When I became an assistant director, I worked with him on The Burning Train (1980). And the biggest blockbuster of my life, my first blockbuster Hukumat was also with him. We also did Elaan-E-Jung, Farishtay (1991) and Tahalka (1992), and all four were hits. I worked with his son Sunny Deol on Gadar: Ek Prem Katha (2001). I produced Policewala Gunda (1995) and directed Ab Tumhare Hawale Watan Saathiyo (2004) with Bobby Deol. My film Apne had all the three Deols in it. Then there were The Hero: Love Story of a Spy (2003) and Singh Saab The Great (2013). My whole life has been spent working with the Deols and most with Dharamji. I consider myself fortunate to have worked with this family and Dharmendra. He was a legend, an era by himself . People love him so much because he too loved them in equal measure. Go on... Dharmendra was a young man from Sahnewal... He would stand before the Frontier Mail train and say, 'Frontier, please take me to Bombay.' And truly, Dharmendra became the film industry. He would have 6–7 releases in a single year, and all of them were hits… Today, if an actor gives even three hits in a year, he’ll run around with a sword, ready to conquer the entire country. Dharmendra ji delivered massive blockbusters that no hero today has ever seen on that scale. It was not just action films that worked. He did films like Anupama, Chupke Chupke, Naya Zamana, Mera Gaon Mera Desh, Pratigya, Yaadon Ki Baarat, Hukumat. He had such a range! All these were hit films. And he was so handsome… It felt like God crafted him with his own hands, and then broke the mould forever. He was what you truly call, 'a Greek God'. Today we loosely call many heroes 'Greek God' but the real Greek God was Dharmendra. It is said that he never increased his fee even after delivering blockbusters...He had multiple hits releasing at the same time. When he watched Hukumat, he liked it a lot. His payment terms used to be that some money was given during production and the rest upon release. So, he told me, 'Anil, you've made such a wonderful film, I'm waving off my entire balance fee.' He would waive off his remaining payment if you made a good film. He had no attachment to money; his attachment was only to good cinema. How was your last meeting with him? It was a couple of months ago. He asked me about the films I was working on. He then said that he wants to do such a film that the world will watch in awe and asked me to find a role for him. He said, "Camera meri mehbooba hai, aur mujhe miss kar rahi hai..." (Camera is my beloved, and she is missing me) I'm missing her too and I have to go back to her. He actually had a film ready to release and in the last couple of years, he had done films, and he had such passion even at the age of 89. He would tell me, "Just watch, I’ll do such good work that the world will watch… you’ll see what I’ll do. You’ll see." It felt like he was the same little boy from Sahnewal. View this post on Instagram A post shared by Anil Sharma (@anilsharma_dir) How was Dharmendra as a person when the cameras stopped rolling? Dharamji never realised how big his stardom and influence was. We would tell him that you are such a big star and he would say, "I am nothing...I am just a farmer, a man of the soil." In fact, the entire Deol family is like that. They genuinely believe they are still new and have a lot more to achieve. Dharam ji once said that he worked only for the people and their love. He came to be a part of the film industry, and he didn’t just become a part of it, he became the film industry itself. Tell us about Sher, Dharmendra's shelved James Bond style spy thriller... Sher goes back to 1988. I wanted to make a James Bond–style film. Recently the poster suddenly resurfaced, and everyone was shocked seeing Dharmendra with such a fantastic, powerful physique. I was a big fan of Bond films, because what does a Bond film need? Personality, handsomeness, wit, romance in the eyes, action prowess, intelligence, and Dharam ji had every single one of those qualities. But somehow, the film couldn’t get made. Hukumat hadn’t released yet at that time and I had signed Sher during Hukumat itself. The producer ran into some issues. If the film had been made, it would have been something remarkable in Dharamji’s career. I still have the script with me. Even now, people tell me to make it with Sunny Deol. I haven’t thought about it yet, but yes, I’ll see, and maybe I will think about it again. What do you want people to remember most about Dharmendra and his legacy? He was a genuinely good human being who knew how to love. I used to ask him what defines a good actor and he always said that a good actor is first a good person. If today’s actors understand just this one thing, they’ll automatically become better actors. If you’re a good person, you can play a bad man, you can play a worthless man, you can play an average man. His goodness, and the way he showered love on people, these two qualities were truly special about him. And that is exactly how he will always be remembered. He is a legend and legends never die, they remain immortal. Also Read: Exclusive: When Esha Deol Called Dharmendra and Hema Malini Excellent Babysitters。
B | 7月20日上午，在国务院新闻办公室举行的新闻发布会上，工信部介绍，今年以来深化拓展“人工智能+”，规模以上制造业企业人工智能技术应用普及率超30%，人工智能开源大模型全球累计下载量突破100亿次。
C | 100亿次的下载量，不仅是一个里程碑式的数据，更是一个清晰的信号——中国的人工智能产业，正在从“跟跑”加速迈向“领跑”的新阶段。 7月17日，在2026世界人工智能大会开幕前夕，月之暗面发布Kimi K3大模型。视觉中国 图 国产AI行业厚积薄发 近年来，AI浪潮席卷而来，一场如火如荼的AI竞赛，正在全球上演。在如此激烈的竞争环境下，一批国产AI产品接连横空出世，走到世界舞台的中央。
D | 比如早期的引发全行业关注的“Deepseek时刻”；再如前几天，月之暗面发布的Kimi K3，成为全球首个开源的3万亿级大模型，再次引发了全球科技圈的热议。 这些大模型产品的密集涌现，不是偶然的单点突破，而是国产AI行业厚积薄发的结果。 诚然，中国互联网用户规模大，企业数量多，有市场基数的规模优势。但高达100亿次的下载量，显然无法用人口红利来简单解释。事实上，从硅谷的互联网平台，到欧洲的传统制造工厂，越来越多的海外机构、企业，都纷纷主动选择国产大模型，作为其技术底座。 这一方面是因为，国产大模型通过持续的技术创新，以及积极的开源策略，把价格“打”下来了，降低了使用成本；另一方面，国产大模型在参数、性能、稳定性等各方面，已经建立了独特的竞争优势。
E | 国产AI的这种技术进步，相信普通人也有直观的感受。一两年前，AI大模型之于普通人，更多还是“聊天机器人”的概念，再就是能撰写文案、做出漂亮的PPT，更像是一个提升办公效率的辅助工具。但如今AI的技术演进，已经远远超出了这一范畴。 我国规模以上制造业企业普及率超30%的背后，就离不开大模型的支撑，AI开始深入流水线，参与工业质检、流程优化等各个环节。此外，像参与智慧城市的调度管理，甚至进医院帮助医生辅助诊疗等，都成了大模型落地的确定性场景。目前，人工智能不仅创造了1.2万亿的产业规模，还正在赋能千行百业，成为实体经济转型的重要推动力量。 中国的工业门类齐全，制造业场景丰富，为AI的应用提供了良好的土壤。而大模型的广泛落地，又为AI提供了海量、真实的数据，能够持续反哺大模型的迭代与优化，形成良性循环，为AI产业注入源源不断的竞争力。 是里程碑，更是新起点 当然，在肯定成绩的同时，我们也需保持清醒的认知。人工智能不同于传统产业，它是一个“一日千里”的行业，今天领先的技术路线，过几个月可能也会被新的方案取代。要巩固当前的技术优势，就要保持危机意识，不断推动底层架构和核心算法的创新。 像这次发布会就提到，推动建立算力服务能力评估、算力市场化定价等标准。这也是完善AI产业基础设施的重要一步。 算力被视作人工智能行业的“水电煤”，是支撑创新的基础设施，建立市场化的定价标准，让算力像“水电煤”明码标价、按需分配，可以确保算力的供应更加透明、公平，降低中小企业使用AI的门槛，进一步推动产业发展。 另外，发布会还提到，东部、中部、西部、东北地区智算规模占全国比例，分别是55.9%、10.6%、32.6%、0.9%。这一数据也意味着，AI算力资源的分布，仍然存在着较大的地区差距，未来要进一步平衡发展落差，补齐落后区域的短板。
F | 说到底，人工智能发展的最终目的，不是追求领先的参数、实现惊人的下载量，或者让国产AI产品在排行榜上拿到好看的名次，而是让这项技术真正普惠到全国各地，到各行各业，让每个人都能从中受益。
G | 100亿次下载量，是一个里程碑，更是一个新起点。 未来，在加快技术创新的同时，还要进一步推动AI的应用和普及，不断降低使用门槛。只有让AI像“水电煤”一样，真正进入社会的每一个角落，让普通人“用得上”也能“用得起”好的AI产品，中国的人工智能产业革命才能释放最大的价值。 （“经纬度”系澎湃新闻打造的经济评论IP，用主流媒体新表达助力中国经济话语和中国经济叙事体系建设。） 海报设计 王璐瑶。
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